(GROUP/SOLO/PUBLICATIONS/PRESENTATIONS)

​

2020 – “MFA EXHIBITION,” Sullivan Gallery, School of the Art Institute of Chicago

               CHICAGO, IL  – “Walking Trace,” is a project contrasting an architectural atmosphere riddled with biases of human

               psychology with the adjacent accessibility of robot body operators, a “runway”

2020 – “COLLEGE DEBT AESTHETICS,” Art and Technology Department, School of the Art Institute of Chicago

               CHICAGO, IL  – FiBS - FASHIONisBS, F/W MMXX {CDA}, MFA Thesis Presentation discussing the fluid role of adapting robot

               workers placed within a greater context of human agency and place

2019 – “BEING STANDARDIZED,” Art and Technology Department, School of the Art Institute of Chicago

               CHICAGO, IL  – FiBS - FASHIONisBS, S/S MMXX {IASFTOH}, the translation of robotic culture and logics mapped onto a

               reproducible human counterpart as a standard silhouette—binary:ASCII

2019 – “WHISPER/CAPSULE,” School of the Art Institute of Chicago

               CHICAGO, IL  – A triptych of robot garment textures focusing on the local vernacular of the material typologies that

               exist within robot fashion wear

2019 – “BOT SYMPOSIUM,” Sullivan Gallery, Fashion Department, School of the Art Institute of Chicago

               CHICAGO, IL  – FiBS - FASHIONisBS, S/S MMXX {IASFTOH}, an ongoing exploration of robotic culture that festers adjacent

               to human ontology and etymology as robots begin defining logic

2019 – “HANDMADE BY ROBOTS,” Salme Harju Fine Arts Center, North Eastern Illinois University

               CHICAGO, IL  – An exploration into the formal register of aesthetics and representation of virtual media in physical

               space the robots are cast into the visual for human rationale and critique

2019 – “ABNATURAL BOTS,” Fashion Department, School of the Art Institute of Chicago

               CHICAGO, IL  – An introduction and workshop defining the human role in “designing like a robot” and dissecting a series

               of art, architecture, and film inputs for a sequence of fashion outputs

2019 – “AESTHETICS OF PROSTHETICS,” Siegel Gallery, Pratt

               NEW YORK, NY  – “Chassé” and “Entrechat” are projects that explore a new paradigm for critique and understanding of

               art and architectural drawing through: animal, plant, and robot, the abnatural

2019 – “ONYX,” Envision Arts

               FRISCO, TX  – A series of in-progress works exploring the paradoxical roles of the artist as a pragmatist, theorist,

               creator, critic, and scientist

2019 – “ATS50,” Art and Technology Department, School of the Art Institute of Chicago

               CHICAGO, IL  – “Motivation From 1995” an installation exploring the role of the physical, digital, and virtual space

               within the context of the imagination in childhood, as paradoxically tortured

2019 – “ATS: HACKATHON,” Art and Technology Department, School of the Art Institute of Chicago

               CHICAGO, IL  – Exploring the role of AI within a queered space of a restroom as a photogram-able architecture to

               determine a means of redistribution, security, and comfortability via MMD-GAN

2018 – “PATIENT #148685,” Art and Technology Department, School of the Art Institute of Chicago

               CHICAGO, IL  – An independent exploration into the role of the robotic instruments that have been installed into the

               artist’s spine. what does this make him? human+, robot, machine, other?

2018 – “ART IN THE ATRIUM,” Frisco Public Library

               FRISCO, TX  – “Untitled (Rolling),” a printmaking work that imagines the role of flattening a perspectival view of the

               city, flying through space and consequently merging depths of view

2018 – “THE ECKLEBURG PROJECT,” Volume 6, Issue 1

               COLLEGE STATION, TX  – A collection of works that responds to “Learning from Las Vegas” specifically diving into the

               role of sign/signifier within the capacity of the driving architecture

2017 – “ARCHITECTURALLY SPEAKING,” Art979

               BRYAN, TX  – A solo show that maps and dislodges the role of the architect from the artist as an autobiographical

               narrative on viewing art via an Eisenmanian, post-structuralist aesthetic

2017 – “CITY OF UNIVERSITY,” Brazos County African-American Museum

               BRYAN, TX  – A presentation, and accompanying sculpture, that was delivered on Juneteenth, about the growing

               helpless condition of the Bryan citizens which are neglected by their city council

2017 – “XYZ ATLAS,” Brazos County African-American Museum

               BRYAN, TX  – “City of University,” a two-part sculpture that evaluates the growth of expansion and subsequent rise in

               need versus the neglect of governmental aid in the city’s homeless crisis

2017 – “100th SHOW,” Art979

               BRYAN, TX  – BEST IN CATEGORY, “Industrial Smog” a printmaking work that translates the Florence train station as a

               case study for historical growth and procedural city filthiness

2017 – “PRINTMAKING AND COLLAGE,” Jaycee Park Center for the Arts

               IRVING, TX  – A series of works that demonstrates the role of the lost image as a context for misreading and extracting

               roots into contemporary context via multiple additive processes

2017 – “ARTFEST,” Reynolds Gallery, Texas A&M University

               COLLEGE STATION, TX  – A cartographic study of the architectural diagrams within the context of Dallas: “City of Lies,”

               “City of Deceit,” and “City of Monsters”

2016 – “PRINTMAKING,” Santa Chiara Study Center

               CASTIGLION FIORENTINO AR, ITALY  – A crash course and extemporaneous show as a demonstrative narrative on

               American architecture infiltrating canonical Italian landscape